Even when there are deviations from the typical music, it still feels like it all belongs to the same album. In the end, both games have OSTs that create one solid and consistent sound. Is it electric rock? Experimental orchestra? Gregorian-esque? Transformational ballads? Of course, it's all of that but it never comes together to feel like one product.Ĭonversely, NieR Gestalt/Replicant really blows any other OST out of the water, though, and NieR Automata is just as beautiful but not as perfect as NieR Gestalt/Replicant. It's frantic which matches the Drakengard/Drag-On Dragoon series but it also means that the OST doesn't know what it is. Overall, though? It's a very weak OST brought down by the lack of cohesion. There are definitely some amazing stand-outs in DOD3 like Kuroi Uta, Final Song, This Silence is Mine, Descendeus, Aethervox, and of course the iconic Exhausted. Thereby he has the duty to prevent the invasion of the Shades and continue searching for a cure to Yonah’s disease.Nah. He is also accompanied by two other characters, Kainé and Emil, as he tries to find a cure and learn the nature of the dark creatures known as Shades stalking the world. During the journey, Nier collaborated with a talking book called Grimoire Weiss. “NIER” is set over 1,000 years later, and players will play the main character, Nier, who is trying to find a cure for a disease known as the Black Scrawl, that his daughter Yonah suffered.
The game is a spin-off of the “Drakengard” game series and is the sequel to the fifth ending of the first game, the events of which have left the planet Earth in a state of decay. Launched to the world on April 22, 2010, “NIER” has caught the attention of many players around the world and made a strong impression on critics through how to build compelling and meaningful stories, character shapes and soundtracks mixed with the gameplay has created the brand for Square Enix itself. “NIER” is an action role-playing game developed by Cavia and released by Square Enix for PlayStation 3 and Xbox 360.
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